American Indian Art from the Fenimore Art Museum: The Thaw Collection
The Mitchell Gallery, St. John's College 60 College Avenue, Annapolis, Maryland 21401
“American Indian Art from the Fenimore Art Museum: The Thaw Collection” features 44 pieces of American Indian art spanning nearly two millenniums. With objects including sculptures, paintings, drawings, basketry, textiles, ceramics, and other media, the exhibition represents the varying aesthetic traditions of North America’s native peoples.
The oldest object in “American Indian Art from the Fenimore Art Museum: The Thaw Collection” dates back to approximately 100-600 A.D.—a carved Ipuitak polar bear figure made out of sea mammal ivory—while more recent pieces include a 19th-century cowhide war record commemorating a battle between the Lakota and Crow. Other works include painted ceramics and weavings from Hopi and Diné (Navajo) artists, as well as a leather-bound drawing book by the artist Black Hawk (Sans Arcs Sioux) that contains 76 striking illustrations. Housed under one roof and joined together in the context of Native American history, the objects on display in the Mitchell Gallery form a stunning, powerful exhibition.
Eugene Thaw graduated from St. John’s College in 1947 before embarking on a prolific career as an art historian, collector, philanthropist, and scholar. In addition to cultivating an outstanding collection of Native American art and rare works by Goya, Van Gogh, and more, Thaw served on the architectural advisory committee for the Mitchell Gallery and generously offered items from his collection for three separate Mitchell Gallery exhibitions. Eugene and Clare Thaw donated their American Indian art collection to the Fenimore Art Museum in 1995; since then, the collection has grown to include a vast array of new pieces added by the Thaws and other donors. The Fenimore Art Museum states: “Each new object reaffirms the Thaws’ commitment to the beauty and artistry of American Indian art, and thus strengthens the philosophical foundation of the collection: that the aesthetic power of American Indian art is equivalent to that from any culture.”
